“Survivor: Blood vs. Water” Cast Includes Former Winners, a Big Brother Alum, and Fan Favorite

CBS has finally revealed the 20 contestants who will participate in the upcoming 27th season of the hit show, “Survivor.” The “Blood vs. Water” season will feature past Survivor contestants paired with a family member. The twist is that these former contestants will ultimately be playing AGAINST their own blood. There will only be one SOLE Survivor.

CBS boasts that this edition of Survivor will feature the return of Redemption Island, where castaways who have been eliminated have another shot at returning into the game for the million dollar prize! But there’s yet another twist! Loved ones will be forced to choose whether to “save” their partner on Redemption Island and switch places with them, thus allowing their loved one to immediately re-enter the game, or leave them in exile to survive on their own.

“Survivor: Blood vs Water” premieres Sept 18 with a special 90-minute premiere at 8/7c! Check out the cast below and be sure to catch the video!

DATING
Tyson Apostol (Survivor: Tocantins, 2nd Jury member; Heroes vs. Villains, 6th Voted Out) & Rachel Foulger

BROTHERS
Aras Baskauskas (Survivor: Panama – Exile Island, Winner) & Vytas Baskauskas

MARRIED
Rupert Boneham (Survivor: Pearl Island, 2nd Jury member; All Stars, 6th Jury member, Winner Fan-Favorite; Heroes vs. Villains, 7th Jury member) & Laura Boneham

MARRIED
Candice Cody (Survivor: Cook Islands, 5th Jury Member; Heroes vs. Villains, 5th Jury Member) & John Cody

MARRIED
Monica Culpepper (Survivor: One World, 5th Voted Out) & Brad Culpepper

ENGAGED
Colton Cumbie (Survivor: One World, 6th Out – Medically Evacuated) & Caleb Bankston

DATING
Kat Edorsson (Survivor: One World, 6th Jury Member) & Hayden Moss

MOTHER AND DAUGHTER
Laura Morett (Survivor: Samoa, 3rd Jury Member) & Ciera Eastin

UNCLE AND NIECE
Gervase Peterson (Survivor: Borneo, 3rd Jury Member) & Marissa Peterson

MOTHER AND DAUGHTER
Tina Wesson (Survivor: Australia, Winner; All Stars, 1st Voted Out) & Katie Collins

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Open Letter to Aaron Sorkin

Yeah I know, kind of silly… and HIGHLY doubtful he will ever read this, or care for that matter.

Let me start by saying I love The Newsroom. One of my favorite shows on TV. There aren’t many Aaron Sorkin films/TV Shows I don’t like. The West Wing is still a staple in my house. The American President… my husband kills me when I put it on, again, for the millionth time. So my beef has nothing to do with his shows, his politics etc.

One of the things I most loved about The West Wing, and this is the geek in me, is the lighting. The lighting in that show was just so… dramatic and well, art. In fact, I wish I could somehow employ that lighting in my own home. Yeah, geek. This brings me to the reason for my letter.

I tried to figure out a way to contact Sorkin, hoping there would be some kind of place to leave feedback. I could probably find his agent and send the letter there, but would it get to him? Doubtful. I thought hey, maybe HBO would pass it on? Yeah right. So here I am writing it out on a blog in the depths of the internet where it will probably never be seen, but alas, I write it anyway.

Please, Mr. Sorkin, for the next season of The Newsroom (and hopefully there is a next season) could we please tell your DP (Director of Photography for those that don’t know) to stop with this fancy, trying to make a scene more dramatic by zooming in and out on a person, camera work? It’s distracting and quite frankly, annoying. For me, it detracts more from the scene than adds anything and every week I dread it. Like last night for instance, a guest via satellite on Will’s show, the DP decided that zooming in and out on the TV would make the scene more dramatic on the guest. Yeah, it didn’t. It just made me notice the camera work rather than pay attention to what the “guest” or Will had to say at that moment. It’s distracting and just not necessary. The actors and the writing carry themselves without need to this extra fancy footwork. If you were, say, Honey Boo Boo or some such show, then sure I get it, but you aren’t.

Now I realize all the shows for this season are already in the can, but PLEASE PLEASE ask your DP to tone it down next season. This show is about the writing, the actors, the drama, not about what the DP has learned to do with the camera.

Thank you for never seeing this and much love from your fan if you do.

SYTYCD: Interview with The Top 12’s Malece and Alan

We started the Top 12 show off with a very high energy and interesting group Bollywood routine by Nakul Dev Mahajan, followed by Cat Deeley explaining why there were only 11 dancers. We learned dancer Tucker Knox had an infection in his knee which kept him from rehearsing with his partner Jenna Johnson for their routine, but it did not stop him from “Dancing for his life” as he and his partner landed in the bottom six, along with Alan Bernsen, Malece Miller, Nico Greetham and Amy Yackima. The judges gave immediate safety to Jenna & Nico, leaving Alan, Malece, Amy and Tucker to dance in their genre’s hoping to impress the judges enough to make it through to the Top 10, and into the SYTYCD Tour!!

Group Bollywood

The 11 dancers (minus Tucker who could not dance with Jenna this week due to his knee infection preventing him from rehearsing) gave some high energy and breathtaking performances. After the partners performed their routines, we seen a group performance by the Top 5 guys (minus Tucker) dancing a hip hop routine by Nappy Taps and a group performance by the Top 6 girls who danced a beautiful contemporary routine by Stacey Tookey.   Then, before the elimination, Nigel explained how hard the decision was, and the he was going to personally make the suggestion that the one’s eliminated would be allowed to tour with the Top 10 as alternates. Then, Nigel gave the news to Alan & Malece that they would be leaving the competition, which we could all see everyone, including the remaining Top 10 dancers.

Alan & Malece

 

The Yak got to listen in to the interview conference call this week and here are Malece and Alan’s thoughts on their elimination, fellow dancers and the possibility of going on the SYTYCD tour as alternates…

 

Malece… You were considered a frontrunner throughout the competition thus far.  The judges always seemed to gush about you.  You had never landed in the bottom six before, but Jenna and Mackenzie both landed in the bottom three times apiece this season and they’re still in it.  Knowing that, were you surprised to get eliminated and how does that make you feel?

Malece: Yes, I was definitely shocked to be eliminated the first time that I was in the bottom, but I adore Mackenzie and Jenna both.  I think they definitely deserve to be there.

 

Alan, you had landed in the bottom six, three times this season, but just got eliminated this week.  It’s kind of the opposite perspective…  Why do you think the judges were holding on to you?  And because of that track record, did you kind of sense this week was going to be your time to go?

Alan: Yes, I have no idea why the judges were holding on to me.  I’m hoping that they liked the way I danced because they kept keeping me on the show.  Yes, after I heard that I was in the bottom again I sort of expected that I was going to be cut, but I didn’t give up hope.  I still tried my best.

 

Malece, we just talked a little bit about Jenna and Mackenzie.  Do you have any idea what the judges and choreographers’ fascination with them is?  What do you think they saw in those girls that maybe America was missing, since they weren’t really getting the votes each week?

Malece: I don’t know.  Mackenzie and Jenna are both amazing, technically strong.  I think all six of us girls were great.  So I think no matter what the decision would’ve been hard.

 

Alan, because you landed in the bottom a few times, what do you think America wasn’t seeing in you?  Do you wish they had seen anything in particular that you believe they were missing?  Can you recall anything you would’ve liked to do on that show that might’ve boosted your votes a little bit that maybe you didn’t get a chance to do?

Alan: Starting from the beginning, I believe I was one of the only people who didn’t get a solo shown from the audition practice.  So people only recognized me starting with the top 20.  While the other dancers already had some fan base from their auditions, I was like starting fresh.  Maybe if I was just shown a little bit more personality towards the beginning America could’ve connected better with me.

 

Does it kind of worsen the blow of your elimination a little bit more knowing you were just shy of making the So You Think You Can Dance tour?  Are you both considering taking Nigel’s advice in that he suggested audition to be alternates, I think he said?

Malece: I definitely think that made this whole elimination a lot harder knowing that we were just one week away from top ten, but I hope we both get to be alternates on the tour.  I’d love to audition for that.

Alan: Same.  It’s nice to know that we made it this far, but it’s so much harder getting cut right before the tour.  Of course I would love to be on the tour.  So if Nigel could help us out—

 

In the jazz dance you both performed, it pretty much seemed to be the consensus that you were kind of missing chemistry and the way you executed some of the moves made Nigel disappointed.  He said he was a little uncomfortable watching it.  What’s your reaction to that?  Why did you seem to struggle with that dance?

 Malece: I am a little bit shocked at Nigel’s comments just because Alan and I had so much fun doing that dance together.

Alan: Malece and I connected, I thought, pretty well in the dance.  We had a lot of fun working with each other.  I thought we executed it pretty well.  I think that the judges might’ve just been like nit picking so it would’ve been easier to cut us for that night.

 

Last week you both received raving reviews for your salsa routine in that the lifts were amazing and you two kept up your energy as best as possible.  As a result, Anna Kendrick noted she’d love for you two to make a baby together.  You both clearly laughed at that.  What went through your mind?  Is there any hope of a little romantic chemistry between you guys or no?

 Alan: I don’t think so.

Malece: I don’t know.  Yes, I don’t know.  I was kind of shocked when she said that.  I didn’t really know how to feel or what to think.

Alan: It was a shock to me as well.  Malece is awesome, but with the height difference our baby might be short.  No, I’m kidding.  Malece is a wonderful girl.

Malece: Yes, I love Alan.

 

When we talked to Curtis last week he explained he took his partner Hayley out on a date just to work on their connection and chemistry as dancers.  Since that was kind of one of the main critiques you two had, about your chemistry, did that ever cross your minds that maybe spending a little time together outside of the competition might improve your showmanship?

Malece: Yes and no, but we didn’t have a lot of time to do a lot of other things.

Alan: Yes, this week was very hectic.  We didn’t have a lot of time to go out at all.  Also, Hayley and Curtis have been partners since the beginning and Malece and I just started together.

 

Why did you originally audition for the show?  How many times did you try out before actually making it into the top 20?

Malece: This is my second year trying out.  I didn’t even make it to Vegas last year.

 

What made you originally want to audition, Malece?

Malece: Just watching it growing up.  Definitely … I was just really obsessed and that’s all I wanted to do my whole life.

 

And how about you, Alan?

Alan: It’s been a dream to be on this show.  Right when I got the first opportunity to do it I tried out.  This is my first time auditioning.  I really just wanted to dance.  It gave me a great opportunity to learn and dance at the same time.

 

What’s next for you?  What are your future plans and goals now that you have the strong foundation of the show to build on?

Malece: I just want to continue dancing wherever I can.  I’m hoping to just keep the momentum going and hopefully stay working.

Alan: Same.  I want to use this momentum and move forward with more commercial work.  Maybe not just do ballroom anymore but go outside of my element and dance in other styles as well.

Malece: And maybe we can tour.

Alan: And hopefully we’ll tour.  Hopefully we’ll be on the tour.

 

Next week as the Top 10 dancers compete, they lose their partners & will now be partnering up with an All-Star veteran dancer from previous seasons. This is always a favorite part of the show… seeing returning favorites mentor the current dancers and it always seems to take on a more intense and passionate feel as the dancers are getting closer to being named “America’s Favorite Dancer!”

Emmys: Nominated Choreographers To Create Number, Plus Reality Host Award to Creative Ceremony

emmy208With the Emmys airing next month on CBS, producer Ken Ehrlich is plotting a number of firsts that will grace the awards show on September 22. For the first time in Emmy history, the nominated choreographers will join forces to create a unique dance number that will feature host Neil Patrick Harris. The news comes not so long after Harris’s much talked about opening Tony Awards number.

In another first, the award for Choreographer will be handed out during the main Primetime telecast and not during the Creative Emmys, as has been tradition. Shifting from the Primetime telecast to the Creative Emmys to make room for the Choreography award will be the Reality Host category. “This came about because we wanted to look for another way to involve our host, our friend Mr. Harris,” said Ehrlich. “I was thinking about what we could do with him that would be different or unusual and exciting,” added Ehrlich. “The idea of having him interact with these choreographers and dancers in this number just became something that was so attractive we couldn’t pass it up.”

This move is only for this year’s telecast, as next year’s producer could opt to do something entirely different or follow in what may become a new tradition. Derek Hough (Dancing With the Stars), Allison Holker (So You Think You Can Dance alum, nominee for Dancing With the Stars) will join forces with So You Think You Can Dance choreographers Sonya Tayeh, Tabitha & Napolean Duomo, Mandy Moore and Travis Wall for the special number. While it has not yet been announced who will perform, the option for the choreographers to grace the stage is on the table. The work going into the number will be used as a documentary of sorts during the Primetime Emmy telecast.

Each choreographer has been given the option to invite two dancers to participate in the number. Ehrlich also made a point to note that this number will not open the show, but rather be placed later in the telecast. As for the Reality Show Host award being handed out at the Creative Emmys ceremony, the winner will be a presenter during the Primetime Telecast and receive proper recognition for their award.

SYTYCD – Interview With Eliminated Tappers Alexis Juliano and Curtis Holland

This weeks SYTYCD started out with yet another injury report… seems Curtis Holland injured his shoulder and would not be able to dance this week. Unfortunately for him, he also landed in the bottom six along with  Alexis Juliano, Alan Bersten, Makenzie Dustman,  Nico Greetham and Jasmine Harper. The judges felt they didn’t need to see any of the guys Dance for Their Lives, but did not send them to safety. They did however send Makenzie to safety once again this week and asked the other 2 girls, Alexis and Jasmine to show America their best in their style of dance. 

Then after all the couples danced their routines, they did 2 group numbers at the end that were absolutely amazing. The last group number, which included Jasmine Harper, Alexix Juliano, Paul Karmiryan, Tucker Knox, Du-Shaunt ‘Fik-Shun’ Stegall, Aaron Turner and Amy Yakima was very touching, as it was based on an anti-bullying theme, and was very moving.

Group

 

After all was said and done, Nigel broke the bad news to tap dancers Alexis & Curtis that they would be leaving the competition that night….

Alexis & Curtis

 

It seems like, traditionally, tappers tend to leave the competition early.  Was that’s something that you were worried about as you headed into the Top 20.

Alexis: I was definitely concerned that that might have happened.  But I definitely think the run I had on the show was amazing.  Just to make it to Top 14 was an amazing thing for me because I didn’t even think I was going to make Top 20. I think, maybe, tappers don’t normally make it far, but I feel like Top 14 is pretty good.

Curtis: I agree. I think that Top 14 is a big feat.  I think that, sometimes, tappers do get the lower hand, but I think that we’ve had an amazing run because of the dancers and the choreographers that we’ve been able to work with.  So I don’t think that our run was specifically bad and I don’t think, this year, tappers have gotten a bad rap.  I just think that with certain circumstances, two people had to go and they just both happened to be tappers.

 

Did you have a favorite style or choreographer that you got to work with?

Alexis: I definitely loved my contemporary piece with Sonya, just because she pushes you.  She, like, knows everything about you.  I don’t know; she just knows who you are and the kind of person you are.  Just the way she talks to you, she can definitely change you as a dancer for the better.  To get to do that piece with her was an amazing way to leave the show.  Yes, she’s definitely my favorite and I love contemporary.

Curtis:  I think my favorite piece was – I actually loved them all, I can’t even pick one.  Probably my hip-hop, Chris Scott, because I feel like that was the time that I really got into the groove on the show.  That was my first piece. My other favorite piece would, I think, be Dee Caspary’s piece, just because I feel like I had to reach a farther place than I usually like to go.  Dee helped me bring out something in me that I knew was in there but I was afraid to touch.  So it was good.

 

Were you surprised to get eliminated, or did you sense it coming beforehand at all?

Alexis: I think once I found out I was in the bottom, I kind of prepared myself for the worst but, you know, hoped for the best.  You never really know, so you just have to hope for the best.  That’s just not what happened that time. But it was still an amazing run.  Jasmine Harper is absolutely amazing.

Curtis:  I don’t think that I knew that it was going to happen, but I definitely, just like Lexie said, I considered it just because I considered the fact that I wasn’t able to show the judges anything this week because of my injury.  I prepared myself for going home, but I always try to be optimistic and look for the better parts in things.

 

As tap dancers, how much, if any, training did you have in all the other dance genres that are featured on the show?  How difficult was it to learn and pick up on all the other styles throughout the season?  Do you two feel like you two had it especially hard considering you’re tappers?

Alexis: Honestly, I trained in all the other styles, except ballroom, just as much as I trained in tap.  But, I think tap was definitely my strongest suit and just what I really love.  I definitely think the challenge as a tapper was more the partnering work, just because I’m not used to the major lifts that we did on the show.  And to have to connect to a partner because, when you’re tapping, you’re usually by yourself.  You don’t have to connect so much with other people on the stage, just with the audience.

So, it was definitely a struggle.  But having to do the choreo part of it wasn’t too challenging.  It was definitely challenging, but not in the aspect that I’ve never done it before.  Except for the ballroom; that was definitely very challenging because I’d never done it before.

Curtis:  I feel the same way.  I’ve had training also.  I trained at a studio that my dad actually owned since I was four.  So, just like Lexie said, I just liked that more.  It wasn’t specifically hard, but it was just certain techniques and certain things that I usually did not get exposure to because I trained in tap more diligently than I did in the other styles.  So some of the moves were specifically hard, but I think with the work ethic that both Lexie and I have, we were able to try and pick up as much as we could.

 

How proud are you of tap’s strong showing this season and the role that you two have both played in that?

Alexis: I’m very proud.  Just the fact that there were three tappers this season is so amazing.  We both, Curtis and I, have made it far.  This Top 14 is a big accomplishment, I feel like.  Yes, tap is definitely growing in the world, and I think more people are starting to love it and try it.  It’s amazing to see where tap is going.

Curtis: I think that, also, it’s such a great thing when you go into a competition and you’re not the only one of your style there because you feel like you have other people by your side.  I feel like we’ve all been able to help each other grow.  That’s why, especially in our solos, we’ve been able to help each other.  I think that’s why we’ve been able to make it as far as we did because we had the support of others in our same style.

 

How much fun was the routine for the Top 20 show with Aaron, set to that Jason Mraz song for you guys to do?

Alexis: That was amazing, just to be able to tap with Curtis and Aaron.  There’s such a feeling that you have on stage with them.  They’re amazing people; they’re just so energetic.  It was just amazing to work with them and Anthony Morigerato and just getting to tap dance on stage is amazing.

Curtis: And the boards were awesome, too.  Sliding all over on the boards was awesome.  It was all about pushing ourselves and it was great to push ourselves and just tap and do what we love because that’s one of the only times that we get to on the show.  So we really tried to take advantage of it.

 

Which routines that you’ve done throughout the season up until your elimination have pushed you the most, be it emotionally, mentally, or technically?

Alexis: I think the piece that definitely pushed me the most in all those aspects would have had to have been Sonya’s contemporary piece.  Emotionally, that was a very sad and devastating one to have to play the part of someone who’s heartbroken and who’s dying inside.  It definitely hit me emotionally-wise, just getting connected into that character.

But then, also, technically because that contemporary piece was so – it was just so much on the body and it was so full out all the time.  There were a lot of things that you had to do in that piece.  I definitely think it just made me grow as a person and as a performer.

Curtis:  I’ve had two pieces that have pushed me.  The first piece was Dee Caspry’s … piece.  It pushed me emotionally because it made me go to a place where, you know, I don’t usually explore and feelings and thoughts that I don’t usually like to think about.  So it made me be able to be vulnerable and to dance from my heart.

The second piece would have to be, although I didn’t perform it, the Argentine tango, with Leonardo and Miriam.  Technically, it’s very, very, very tough because it’s the Argentine tango.  I really just had to get grounded in the flow and pick up on the technique very quickly.  So it was tough.  I was doing well, but my shoulder gave out on me.

 

Because there were three tapping in the season, and all of you have such unique styles, how would you describe each other’s tapping style?

Alexis: I think that Curtis’ style is very fun and energetic and just full out all the time.  He’s just so amazing at what he does.  The stuff that he does, even though they’re small, intricate steps, he just makes them so big and so full out that no one’s ever bored watching them. Then, I feel like Aaron’s style is just very – it’s cool, but you’re going to watch him just because he’s so in it with his whole body.  Everything’s always moving.  He’s just a great performer on stage, as well.

Curtis: I think that Lexie’s style is very fast.  Very fast and very clear and crisp.  I think that she’s very smooth and poised with what she does.  She never looks like she’s about to break a sweat and I think that’s a great thing.

 

Question for Curtis… It was obviously revealed that you asked Hayley out on a date.  Was that just a random idea to really just build your connection as dancers?  Or were you kind of feeling like you both had mutual romantic feelings for one another throughout your time on the show and maybe you felt it was finally time to explore that?

Curtis:  Oh, no.  It was just for our connection on stage.  It was definitely just for our connection on stage because our one piece was about a relationship, and in order for us to actually pretend that we were in a relationship, I felt like we needed to go out on a date and be in a relationship.  So it was all for the piece and it was all just for the piece.

 

So clearly nothing romantic going on now, it sounds like?

Curtis: No.  She has a boyfriend, actually.

 

One critique that you kept getting, Curtis, was about your core strength and an issue with your shoulders.  Does that relate to being a tap dancer, since it’s obviously a lot of the lower body that you use more?  Was that something that you really tried hard to correct during rehearsals and performing?  Or were you kind of focused on other things that you thought were more important?

Curtis:  I don’t even think it was because I was a tap dancer, but I wasn’t usually told when I was dancing about my core.  So when I got here and I was told about it, definitely I took that into consideration and I tried to work on that.  That actually was one of my main focuses whenever I was practicing.  I was always trying to just focus on my core and focus on my shoulders and just make sure that everything was solid.

But when you get on stage and you get nervous, sometimes you tend to forget things.  So as I walked away from the show, I just remember to always keep key things like my shoulder and my core in my head as I perform.  That was always on my mind.

 

Last week the judges, Nigel in particular, had some pretty harsh criticism for both of you and both of your routines.  How much do you think that the judges and what they have to say affects the way America votes?

Alexis: I definitely think they affect the way America thinks about how the dance was and how we portrayed the dance.  They have to give America something to go off of.  So yes, I definitely think when Nigel says you kind of died towards the end, America might not have noticed that at first, but then watching it again maybe they can see oh, wow, I kind of agree with Nigel.

So yes, I definitely think that some of the corrections that we get go into play.  But I also think it’s America’s favorite dancer, so it’s really whoever America wants and if Nigel went a little hard on your favorite dancer, you’ll maybe vote for them a million times more, you know what I mean?  So it just plays both ways.

 

Curtis… we didn’t hear much about your shoulder injury.  What happened there, and how bad was it?

Curtis: I sprained my rotator cuff in rehearsal about two, three days ago.  I went and I got an x-ray and the x-ray says that there was no bone fracture, so I have to get an MRI, so I’ll be getting one soon.  Then we’ll be able to see from there.

It was just bothering me.  And it was a point of pain that I could not ignore and I could not push through.  So I wasn’t able to dance because of that.

 

Alexis, you got great reviews from the judges this week following your contemporary routine.  Do you have any idea why you were the one that got eliminated this week?  Do you have any insight into that?

Alexis: Not really. I think it’s more just about how the judges feel about us as dancers.  I think that I was up against amazing dancers and all the girls and the guys are just amazing.  I just think when it comes down between me and Jasmine Harper, Jasmine Harper is just phenomenal.  She’s amazing at her craft and she’s amazing at other things as well.  It’s just however the judges feel.

 

Alexis, going back to your jive performance last week, the judges’ main critique was that you guys kind of lost energy halfway through.  Could you talk a little bit about that?  Was it simply the choreography was exhausting, or did you have a little bit of trouble connecting to the performance, or something like that?

Alexis: I definitely think that jive is very energetic and you’re always bouncing, you’re always kicking, you’re always flicking, you’re always smiling and lifting.  So jive is definitely – you need a lot of adrenaline and endurance for it.  But I definitely think that maybe I just didn’t have enough endurance at that time.  I do feel like I probably died a little bit towards the end just because I was giving it so much in the beginning.  Jive was amazing to do and I would love to keep doing it.

 

What are your plans now that you’ve been eliminated?  For the short term, and then, consequently, for the long term after the show is over?

Alexis: I would love to go to New York and dance there, whether it’s shows or tap companies or any companies.  I would love to be in New York dancing, or wherever a show can take me.  Wherever life wants to take me, I’ll go.  But right now, New York is my next dream.

Curtis: I’m the same way, I just want to dance.  For now, I’m going back home to Miami and I’m just going to teach and dance from there.  Then, hopefully, I’ll just get a call and I will just go wherever I’m needed.

 

What have you, either of you, taken away from being a part of this process and being a part of the show?

Alexis: I definitely think I took away confidence with me.  Going into the show, I didn’t have a lot of confidence in myself.  I never thought I’d even make Top 20.  To make Top 14 just shows me the kind of dancer that I am and that America does love me enough to make it this far. I definitely think it’s boosted my confidence.  More, it just makes me want to keep dancing for the rest of my life.

Curtis:  I’m definitely taking away a lot of confidence, also, just in myself and …  I think I’m taking away a lot of self-evaluation about myself.  I’m learning a lot more about who I am, what I can do, what I cannot do, and working on what I cannot do.

 

Curtis… Nigel was pretty tough on you last week, especially saying something like it’s almost like you forgot how to perform.  What was your reaction to that.  Did you think he was a little too hard on you at times, especially when talking about your lack of alleged core strength and all that?

Curtis:  No, I think that it’s all constructive criticism.  Honestly, I never take criticism as a batting session or anything like that.  So I can’t honestly say that he was out to get me or anything like that.  All of the criticism, no matter how bad people think it is, I always take as a chance for me to grow.

 

Why did you originally want to try out for So You Think You Can Dance?  How many times did you audition until you actually got onto the show into the Top 20?

Alexis: I only auditioned one time, the first time, and then I made it to Top 20 this time.  I think I just really wanted to inspire people to tap dance.  I felt like an amazing way to do that was just to be on TV tapping.  I just felt like tap was kind of dying as an art form, and it’s just getting to be a really small world for tap dancers.

I just want it to keep growing.  As the next generation of tap dancers is coming up, I just want it to be a big group.  I definitely think that’s happening because on Twitter and everything – people have been tweeting me, like, you’ve inspired me to learn tap and I’m going to get tap shoes now.  It’s just an amazing thing to know that the reason I wanted to be on the show is actually happening.  It’s great.

Curtis:  I know that I didn’t intend on auditioning for the purpose of getting on the Top 20.  I was just auditioning just to do it.  I think that I just wanted to try it because I was in college and I was bored of it.  So I said why not and I went and auditioned and look where I ended up.

SYTYCD – Interview with Mariah and BluPrint

This week on SYTYCD, we saw the bottom six dancers were Makenzie Dustman, Alan Bersten, Curtis Holland, Jenna Johnson, Mariah Spears and BluPrint… everyone except Jenna, as she is the sole remaining ballroom dancer left in the competition… had to dance for their lives for the judges, which included regulars Nigel Lythgoe and Mary Murphy, but also quest judge Carly Ray Jepsen! After their solo’s, they found their partners to prepare for their choreographed number in hopes they would dance again next week. After some very good performances from all, they broke the news to Mariah and BluPrint that this was the end of the road for them. Mariah and BluPrint sat down with the press, including The Yak, to share their thoughts and experiences from SYTYCD!

 

Mariah & BluPrint

While there’s some notes obviously in hip hop in a little bit of what you both do, does it feel almost like there’s an extra challenge in that?  You don’t really get the opportunity to do many choreographed  animating or krumping routines on the show, so do you  have the challenge of basically doing something somewhat different from your style every single week?

Mariah: Yes, I mean it’s definitely more difficult just because we’ve never done anything like that before, but it just pushes us to work even harder.

BluPrint: Yes, it is because we’re both completely out of our element in each style.  But, yes, it does help.  It does push us to want to even make a little like that is our style on the show.

What was it like for you two going from working with one partner to another?  Is that another challenge, or is that kind of exciting in a way?  Going from working with one partner on the live show, then your first partner being eliminated and switching over to a new partner…  Is it kind of a cool feeling to work with multiple people?  Is it a challenge?

BluPrint: It’s actually cool because I get to experience what it is like to work with different people instead of keeping it the same every week.  We all bond like really quickly.  So, I mean having chemistry wasn’t a problem.  We got right to having fun.  That was a great experience….

Mariah: Yes, I totally agree.  I mean it’s so cool to see and learn like how different people work and as BluPrint said, we all bonded so quickly.  It’s not hard.

 A couple of weeks ago (there was no show the prior week due to an all-star baseball game) you had performed the hip hop routine together that was highly praised. When America voted you both into the bottom six, did that make your elimination almost sting a little bit more considering you both were pretty much in your element?  It seems like that kind of would be the worst way to go out, being that you were both on your home turf type of thing.

Mariah: I mean, yes, it’s hard like when you think you did so well the week before and then being on the bottom and being eliminated.  But, I mean everyone does amazing every week.  So, it’s always so up in the air.  You never know.

BluPrint: Basically what she said.  Doing our own style is actually kind of more difficult because the judges are looking for you to do so much.  They’re expecting more from you, especially when it’s your style.  So, doing that … was actually not—it was challenging especially because I … like that, but it was actually fun at the same time.

 It was clear that that routine had a lot of choreography, it was fast paced & it seemed to be a little exhausting for you two…  Do you feel like out of all the hip hop routines you could have learned, that this was almost the most difficult one?  Did you feel like it was kind of the most challenging thing you were presented with out of every other possibility for that genre?

BluPrint: In a way it was because of the energy level that we had to have, but it was actually more fun to learn than any hip hop routine that I’ve learned so far.

 Mariah: Yes, I mean it was—it was super-fast and super high energy, but it made it that much more exciting I feel like.

 Mariah, what does it mean to you to represent female hip hoppers on So You Think You Can Dance? They really haven’t been heavily or highly represented in the past?

Mariah: I mean, it feels so amazing to be able to say that I can represent something that hasn’t really been on the show.  I mean it has before, but not in a long time and not very much.  So, to be able to like be one of those girls, one of the three, I believe, girls that have been able to do that, it’s so cool and such like a unique thing that I have that I was so blessed to be able to portray on the show.

 BluPrint, as an animator that is such a different style from so many of the other things you’ve been presented with on SYTYCD… Has learning any of these other styles and working with those affected your own style of dance?  Do you think you’ll bring that into any of your dancing in the future?

BluPrint: Yes, it affected it in a good way because I’m like a little bit more versatile now and I have been practicing my own style as well like every day too.  So, it actually helps me to be more open and just do more things with my original stuff.

 What is your opinion on the guest judges this season.  There’s been a lot of criticism about the fact that maybe all the guest judges don’t necessarily have the proper background in dance to be able to give the proper critiques.  Do you have any thoughts on that?

BluPrint: I actually liked some of the guest judges because they actually did give good critiques even though some of them don’t really have dancing experience.  But, they actually gave like good critiques.  They didn’t say anything out of the water or anything.  I actually took what Carly Rae said and went with it.  But, yes, I really liked the guest judges especially because I mean they bring a lot to the show and everybody loves them and all that.

Mariah: Yes, I mean and I fully agree with Blu(Print).  They do judge very well.  I mean they all are a part of the entertainment industry, which is what dance is a part of.  It’s not always about the technique or anything.  I mean they do have judges that can comment on that and I’m sure just watching dance, you can—you may not know everything about it, but you can see that stuff.

But, it’s more about the whole entertainment value I feel like and that’s what those guest judges bring.  They bring something different, something a little—a different perspective on something you see every week.

 Does the lack of a result show kind of make it more difficult in the sense that you’re immediately preparing for the performance with the knowledge that there’s going to be eliminations on the very same show?

Mariah: Definitely.  It is really hard without a results show to separate your performance from the whole stress of, “Okay, well, I might go home after this performance.”  But at the same time, it pushes you to leave everything you have out there because you know—again, you know this could be your last time performing.

BluPrint: Yes, exactly what Mariah said.  We all know that it might be our last performance.  So, it actually pushes us harder to try to make the judges change their mind if they do have a decision to send one of us home.  Just makes us work harder.

 Mariah, the judges absolutely loved you in the hip hop routine from a couple of weeks ago, saying you were effortless and shining and so forth.  But this week, the judges seemed to think your jazz routine was just “goodish” as Nigel put it.  Do you kind of wish that you could have changed anything about the performance looking back at  what you two brought to it?  Do you think that is the sole reason why you went home I guess this week?

Mariah: I mean, I think that we did everything we could with that dance routine.  It was a great routine and it was really just….  I think that we did—I mean we definitely left all we could on that stage and I could have never wished for anything more.  Definitely, it comes down to all of these dancers, the whole top 20 were absolutely incredible dancers.  It just comes down to one person has to go home a week and Makenzie is flawless.

 BluPrint, During the show two weeks ago when you performed the hip hop, the judges and your choreographer made it clear that your “freestyle is ill,” but you kind of lack emotion in your face and the judges wanted to see the performance quality come out a little bit more.  What is your take on that? Did you notice that that was missing from your end, and was that something you were really starting to work on, but obviously you didn’t get the chance to really show them that you could finish it?

BluPrint: I was really working on that, especially last week.  Like after the judges said what they said, I really went home and worked on it like to the max.  I am kind of upset that I didn’t get a chance to show that part, but I did definitely work on it.  It’s going to help me in the future for my future performances too.  So, I took that in.  I actually thank the judges for saying all that because now I know what I’m missing in my performance.

 We’ve seen, particularly Mariah, you’re a crier.  We saw you were upset last night even before … going home.  How hard is it to see your fellow dancers go home?  How close have you guys gotten over the course of the show?

Mariah: I am a crier, but it is so hard.  We’re such a close family.  We became so close.  I mean I signed all of them my best friends.  So, it’s so hard to watch people go home and then to go home yourself because not only like just the end of the road for the competition.  It’s not even that.  It’s just that we’re going to miss each other so much.

BluPrint: Yes, everybody here, we basically grew into one big family.  So, to see like everybody leave and to leave yourself is very hard.  But, they give you inspiration and we all keep in touch, which is a good thing.

 Of those that are left, what guy and girl do you think might win it all?

Mariah: I don’t think we can choose.  I mean at least for me, everyone is so, so good at not only what they do, but I mean you’ve seen everyone grow and do things that none of us expected we could do.  So, there is no way at least I can pick a guy and a girl because everyone is so great.

BluPrint: Yes, same here.  Everyone is really great.  So, I can’t really even wrap my mind around who is going to win right now.

 Mariah., the video clip in last night’s episode showed how you were a cheerleader for a while and absolutely loved every minute of it, which makes it even more ironic and notable that your preferring style is krumping.  Can you talk a little bit about how you began krumping, how you got so good at it, and at what point in your life it became a passion?

Mariah: Yes.  I mean I’ve always been interested in like being really diverse and trying to do like things people wouldn’t expect.  And so, I started doing hip hop when I was like eight, but I just got like—my teacher, Chris Thomas, came to my studio and started teaching and he’s a krumper.  I just like got taken under his wing and just started like absolutely loving it and loving like everything he taught, if it was krump, if it was just regular choreography.  I guess I just like took it and ran with it because it was so cool, so different.

 BluPrint, when Nigel was critiquing your hip hop performance a couple of weeks ago, he also said it was vital to maintain personality since you’re  “not a great dancer yet.”  Did that comment surprise you or offend you at all because some viewers who saw Nigel make that comment kind of thought, “How would he have made it to the top 20 if he wasn’t “a great dancer yet”?

BluPrint: Okay.  Well, I mean it didn’t really take offense with me because I just sort of brushed it off and like ignored that part of the comment.  But, the personality part, I mean I knew I was lacking in that area and I really didn’t get a chance to show them that part because what happened yesterday; I got eliminated.  But, I mean I’m glad he gave me that critique though because I know what I need to work on.

 Why did you originally apply for SYTYCD, and how many times did you audition before actually making it to the top 20?

BluPrint: This was my first time auditioning and originally, I wasn’t going to audition.  Some friends kind of pushed me into it because … because they all wanted to audition and I just wanted to go for the ride, but it was like, “Well, since you’re here, you might as well audition.”  So, I went ahead and did it and made it here.

Mariah: I had watched since the first season and have known people who have gone through it.  Ever since I saw the first season, I was like it’s my dream to like be on the show.  And so, I auditioned … also and got cut the Vegas week and then auditioned again this year and I made it.

 What’s next now after the show?  What are your future plans?

BluPrint: Well, I’m just going to go back to my crew and travel with my crew to shows and … YouTube videos and I’m also going to take choreo classes because the show has really helped me fall in love with choreo stuff.  So, I’m going to take more classes on that so I can get fluent in that area and just keep doing my thing.

Mariah: Yes and I’m going to go back to school for dance and just keep training and try to become more the trained technical dancer and then start auditioning and see how it goes from there.

 Would either of you would be interested in coming back as an All Star if they ask you to?

BluPrint: Yes, I would definitely be interested because everyone there—like when we were new, we didn’t know what to expect.  So, we were like kind of just going with the flow, but then an All Star came in and showed us what to do like during rehearsals and how to do things.  I just want to be that person to help the next group, the next top 20, help them get what they need and show them what to expect and all of that.  Basically, just help everybody out.

Mariah: Yes.  It would be so amazing, such a dream to come back as an All Star because like SYTYCD is just such a family and I’d love to be able to stay a part of that family.

_____________________________________

Sad to see Mariah and BluPrint go? Let us know your thoughts in the comments below!

 

 

Flashback Friday? Time Warner Cable vs. CBS

Update (Aug 4, 2013): CBS has released a new official statement regarding negotiations with TWC

There are no negotiations taking place at this time between CBS and Time Warner Cable. Before the
deadline on Friday we asked TWC to continue the negotiation while our programming was still on the air
in consideration for our viewers. They rejected this request and told us that they’d have more leverage
against us if they took us off their service. This is hardly a sign that they care about their customers as
they claim. We remain ready to negotiate in good faith when they are.

As many Time Warner Cable customers already know, especially those who watch Big Brother and for the past few episodes, have seen the scroll at the bottom that you might lose your CBS channel, TWC and CBS are currently in the struggle of re-negotiation of their fees. Specifically, CBS is asking for a new contract with higher re-transmission fees for Time Warner Cable to broadcast their content.

Why a “Flashback Friday”? Because how many times have we seen this happen? Eventually it does resolve itself, the loser ALWAYS the TV Subscriber no matter which side gets their way really. Higher fees always means higher fees for YOU, not for the cable company. No negotiation means we lose our channels and somehow, still get a higher cable bill? (That one I haven’t quite figured out yet.)

Now, I’m not going to take sides between CBS/Time Warner Cable. Really, you can insert anyone in that equation. FOX/Comcast. Viacom/Dish. You get the picture. It’s constant and the only losers are us. We lose in price or we lose our favorite channel. It sucks quite frankly.

Now I used to, in another life, work for the cable company. Yes, I took your calls that the broadcaster told you to make to “tell us to keep” their channel, or of course the calls the Cable Company told you to make to “Not give in to their demands!” I remember specifically the fight between Fox and Time Warner Cable. We had to be staffed on New Years Eve of all things to take those calls. Why? Because the contract was going to run out at midnight. You have NO IDEA how much fun it is to answer the phone right before Midnight on New Years Eve to someone yelling at you (as if you are in on the negotiations) to keep their Fox on the air. Really, it’s kind of a joke. Do these callers really think we have any say? Do they not understand that whatever the cable company bends to on price just gets passed on to the consumer? Sigh.

It’s okay to make the call and let them know you prefer to keep/discard the network, but PLEASE realize the person you are talking to has no control over it and be human… And please, please, please find something else to do on New Years Eve.

But I digress… back to the reason I am writing this.

Another thing those callers don’t realize… In all the uproar over CBS maybe pulling their channel, or Fox, or NBC, or ABC etc. etc. Those channels are FREE OVER THE AIR CHANNELS. Yes, you do NOT need Cable, Dish, DirecTv, FIOS, etc. to see these. You just need a trusty antenna that you can purchase, or better yet, make your own for REALLY cheap! You may also need a converter box ONLY if your TV is older. And by older, I mean grandma’s TV… Ok, maybe mom’s TV or that weird retro Uncle you have that lives in a friends basement. Basically, if you have a digital ready Television, you can get those channels free. If you purchased your Television after 2004, more than likely it’s digital ready. If you purchased your TV after 2007, then it HAS to be digital ready by law, so no box needed.

ku-xlargeAnyway, I thought I would pass this info on about the ALMOST FREE antenna that you can make yourself. You know, DIY. Even if you have cable, satellite, fios or what not, it’s actually kind of a nice thing to have anyway. There are SO MANY over the air digital channels that you aren’t getting with these companies, and why shouldn’t you? They’re FREE. If you have a Tivo, you can even record from them. Many are in a really crisp HD too. So whether you are a cord cutter or a full fledged subscriber, why not give this a shot? Did I say free? (Well, almost free anyway. At least it’s without the monthly cost.)

Now some say that this DIY antenna is actually better than some of the more costly purchased ones. I will leave that up to you. Also note, I can’t take credit for this… this is someone else’s love child, I’m just sharing the wealth. This one was adopted from someone else (who she credits) by Holly Mann (and made pretty with paint to make it wall hang-able, if that’s such a word) and is reported to work really well. To view the instructions on how to make this, go HERE.

While you’re at it, you can also check out what channels should come in for you OTA (Over the Air) by your Zip Code HERE. (Keep in mind that many of these channels have more than one channel included. Meaning you may see one channel as “4-1” but there may also be a “4-2” and “4-3”. The last time I checked in my area there were at least 8 different PBS channels each broadcasting something different.

So good luck! If you decide to make one of these nifty things (which I will do soon too and will update with how it goes) let us know below in the comments how it turned out! Did it work? Did it fizzle out? Did you do something different that made it better? Keep us updated!

Oh and, of course, join us in the FORUM one of these days. You will be glad you did!

 

 

65th Primetime Emmy Awards: And The Nominees Are …

emmy208Early Thursday morning, Aaron Paul (“Breaking Bad”) and this year’s Emmy Awards host, Neil Patrick Harris, announced the nominees for the upcoming 65th Primetime Emmys. “American Horror Story: Asylum” snagged the most nods, totaling at 17 with “Game of Thrones” close behind at 16. HBO totaled 108 nominations, with CBS and NBC coming in second with 53.

Of note, “30 Rock,” “Modern Family,” and “The Big Bang Theory” lead the comedy nomination tally. On the reality front, Cat Deeley and “So You Think You Can Dance” snagged a 7 total nominations, including Best Reality Competition, alongside “The Voice,” “Dancing With the Stars,” “The Amazing Race,” “Project Runway,” and “Top Chef.” Among the many snubs, Tatiana Maslany of BBC America’s “Orphan Black” is arguably on top of that list, along with “The Walking Dead” Andrew Lincoln and others.

The Emmys will broadcast LIVE from Los Angeles on Sept 22 on CBS! Check out the list of the major categories below. For a full list of technical Emmys, check Emmys.com

OUTSTANDING DRAMA
Breaking Bad
Downton Abbey
Game of Thrones
Homeland
House of Cards
Mad Men

OUTSTANDING ACTRESS IN A DRAMA
Connie Britton, Nashville
Claire Danes, Homeland
Michelle Dockery, Downton Abbey
Vera Farmiga, Bates Motel
Elisabeth Moss, Mad Men
Kerry Washington, Scandal
Robin Wright, House of Cards

OUTSTANDING ACTOR IN A DRAMA
Hugh Bonneville, Downton Abbey
Bryan Cranston, Breaking Bad
Jeff Daniels, The Newsroom
Jon Hamm, Mad Men
Damian Lewis, Homeland
Kevin Spacey, House of Cards

OUTSTANDING SUPPORTING ACTRESS IN A DRAMA
Anna Gunn, Breaking Bad
Maggie Smith, Downton Abbey
Emilia Clarke, Game of Thrones
Christine Baranski, The Good Wife
Morena Baccarin, Homeland
Christina Hendricks, Mad Men

OUTSTANDING SUPPORTING ACTOR IN A DRAMA
Bobby Cannavale, Boardwalk Empire
Jonathan Banks, Breaking Bad
Aaron Paul, Breaking Bad
Jim Carter, Downton Abbey
Peter Dinklage, Game of Thrones
Mandy Patinkin, Homeland

OUTSTANDING GUEST ACTRESS IN A DRAMA
Margo Martindale, The Americans
Diana Rigg, Game of Thrones
Carrie Preston, The Good Wife
Linda Cardellini, Mad Men
Jane Fonda, The Newsroom
Joan Cusack, Shameless

OUTSTANDING GUEST ACTOR IN A DRAMA
Nathan Lane, The Good Wife
Michael J. Fox, The Good Wife
Rupert Friend, Homeland
Robert Morse, Mad Men
Harry Hamlin, Mad Men
Dan Bucatinsky, Scandal

OUTSTANDING COMEDY
30 Rock
The Big Bang Theory
Girls
Louie
Modern Family
Veep

OUTSTANDING ACTRESS IN A COMEDY
Laura Dern, Enlightened
Lena Dunham, Girls
Edie Falco, Nurse Jackie
Tina Fey, 30 Rock
Julia Louis-Dreyfus, Veep
Amy Poehler, Parks and Recreation

OUTSTANDING ACTOR IN A COMEDY
Alec Baldwin, 30 Rock
Jason Bateman, Arrested Development
Louis CK, Louie
Don Cheadle, House of Lies
Matt LeBlanc, Episodes
Jim Parsons, The Big Bang Theory

OUTSTANDING SUPPORTING ACTRESS IN A COMEDY
Mayim Bialik, The Big Bang Theory
Jane Lynch, Glee
Julie Bowen, Modern Family
Merritt Wever, Nurse Jackie
Jane Krakowski, 30 Rock
Sofia Vergara, Modern Family
Anna Chlumsky, Veep

OUTSTANDING SUPPORTING ACTOR IN A COMEDY
Adam Driver, Girls
Jesse Tyler Ferguson, Modern Family
Ed O’Neill, Modern Family
Ty Burrell, Modern Family
Bill Hader, Saturday Night Live
Tony Hale, Veep

OUTSTANDING GUEST ACTRESS IN A COMEDY
Molly Shannon, Enlightened
Dot-Marie Jones, Glee
Melissa Leo, Louie
Melissa McCarthy, Saturday Night Live
Kristen Wiig, Saturday Night Live
Elaine Stritch, 30 Rock

OUTSTANDING GUEST ACTOR IN A COMEDY
Bob Newhart, The Big Bang Theory
Nathan Lane, Modern Family
Bobby Cannavale, Nurse Jackie
Louis CK, Saturday Night Live
Justin Timberlake, Saturday Night Live
Will Forte, 30 Rock

OUTSTANDING REALITY SHOW HOST
Ryan Seacrest, American Idol
Betty White, Betty White’s Off Their Rockers
Tom Bergeron, Dancing With the Stars
Heidi Klum and Tim Gunn, Project Runway
Cat Deeley, So You Think You Can Dance
Anthony Bourdain, The Taste

OUTSTANDING REALITY SHOW COMPETITION
The Amazing Race
Dancing With the Stars
Project Runway
So You Think You Can Dance
Top Chef
The Voice

OUTSTANDING VARIETY, MUSIC, OR COMEDY SERIES
The Colbert Report
The Daily Show With Jon Stewart
Jimmy Kimmel Live
Late Night With Jimmy Fallon
Real Time With Bill Maher
Saturday Night Live

OUTSTANDING TV MINISERIES OR MOVIE
American Horror Story: Asylum
Behind the Candelabra
The Bible
Phil Spector
Political Animals
Top of the Lake

LEAD ACTRESS IN A TV MINISERIES OR MOVIE
Jessica Lange, American Horror Story: Asylum
Laura Linney, The Big C: hereafter
Helen Mirren, Phil Spector
Sigourney Weaver, Political Animals
Elisabeth Moss, Top of the Lake

LEAD ACTOR IN A TV MINISERIES OR MOVIE
Michael Douglas, Behind the Candelabra
Matt Damon, Behind the Candelabra
Toby Jones, The Girl
Benedict Cumberbatch, Parade’s End
Al Pacino, Phil Spector

OUTSTANDING SUPPORTING ACTRESS IN A TV MINISERIES OR MOVIE
Sarah Paulson, American Horror Story: Asylum
Imelda Staunton, The Girl
Ellen Burstyn, Political Animals
Charlotte Rampling, Restless
Alfre Woodard, Steel Magnolias

OUTSTANDING SUPPORTING ACTOR IN A TV MINISERIES OR MOVIE
James Cromwell, American Horror Story: Asylum
Zachary Quinto, American Horror Story: Asylum
Scott Bakula, Behind The Candelabra
John Benjamin Hickey, The Big C: hereafter
Peter Mullan, Top of the Lake

Viral Video Wednesday: Pentatonix & Todrick Hall Retell “The Wizard of Ahhhs”

wizardofaahzThe winners of NBC’s recently revived “The Sing Off” have continued to impress and make waves with their collaborations and creative song covers since winning the a cappella singing competition back in 2011. Known for their playful covers like “Gangnam Style,”stunning collaborations like “Radioactive“, and the viral “Evolution of Music,” the a cappella group may have just outdone themselves with their most recent project.

With the help of “American Idol” finalist Todrick Hall, the group takes us down the yellow brick road to retell the classic story of “The Wizard of Oz” through contemporary Top 40, R&B, and country music. Covering everyone from Carrie Underwood to Katy Perry to Phillip Phillips and even Motley Crue, relive the story of Dorothy, her dog Toto, the Scarecrow, Tin Man, and the Cowardly Lion in a way you never imagined. As you embark on the journey, we’d be remiss to not point out that this production is strictly based on vocal – from the singing to the vocal percussion. Talk about talent!

SYTYCD: The Yak Talks To Eliminated Dancer Jasmine Mason

After watching their friends Brittany & Carlos be eliminated last week, the remaining 18 dancers gave it their all in this weeks SYTYCD! Before the dancers took the stage, we found out that this week they would not be eliminated at the beginning of the show, but at the end as in the previous season of SYTYCD, because producer/Judge Nigel Lythgoe listened to the fans after last weeks show and tweaked the format. We also learned contestant Jade Zuberi had to withdraw from the competition this week, due to a torn meniscus that will require surgery followed by a recuperation period of three or four months.

So the energy was high, and I’m sure nerves were crazy as they danced for regular judges Nigel Lythgoe & Brittney Murphy and along with guest judges Paula Abdul & Erin Andrews!  After the dancers finished their performances, the bottom 2 guys.  Curtis Holland and BluPrint,  found out they got a pass from elimination due to Jade having to drop from the competition. All bottom 3 girls, Jasmine Mason, Jenna Johnson, and Alexis Juliano, were asked to Dance For Their Lives… we then found out we had to say goodbye to Jasmine!

Jasmine

The Yak got to participate in on a conference call this week with Jasmine Mason…

All the judges seem to kind of agree that you didn’t really let loose and just have as much fun in the routines as you could have, to a certain extent, how do you feel about the way you performed it.  Do you believe it was as quirky as you could have made it and given it as much energy as you could have?

Jasmine: Well, when I was doing the routine I felt that I was being quirky and I was having fun.  But obviously the judges know what they’re talking about, and I’m sure I could have loosened up a little bit.  But I was so focused on trying to be this prim and proper queen that I think I kind of let that take over a little bit.

You weren’t in the bottom six last week, so did it surprise you that you landed in the bottom six this week and also that you were the girl that ended up getting eliminated?

Jasmine: Yes, I was a little bit surprised.  But the show is so unpredictable.  The bottom three last week I didn’t think was going to be the bottom three.  You’re just always prepared and you always are practicing your solo, so I was a little surprised.  But I wasn’t too surprised, because it’s so unpredictable.

How did you feel about the twist last week in which they revealed the results at the beginning of the show, and this week they revealed them at the end.  Do you think that was the right move to make?

Jasmine: Honestly, I think eliminations, no matter what, are going to be hard, and they’re going to be sad.  So if it was at the beginning or the end it doesn’t matter, because it’s still so hard.  I think it’s a little bit better because it’s really hard to go back on the stage and perform, but knowing that it’s your last time, you can probably be in it a little bit more, do you know what I mean?  So I think either way it’s tough.

Nigel last week was pretty unimpressed with everyone’s Dance for Your Life performances.  Do you feel like the bottom six dancers this week kind of felt pressured to up their game and improve their dance for the live performances, or at least feel the pressure to deliver it better?

Jasmine: Yes, I feel like everyone upped their game, because you have to really dance for your life on that show and the judges are really looking at that solo, and you have to show what you can do, because that’s how you got on the show.  I feel like everyone, we had another week to kind of pull ourselves together.  We saw Brittany and Carlos go home, and nobody wants to be that person, so we all practiced a lot, put our head in the game, and I feel like everyone really stepped it up.

 What do you plan to do next?

Jasmine: Oh my gosh, I’m not stopping here.  I want to obviously continue my dance career, get back with my dance agent, see what we can do, but I had so much fun on the stage acting and playing different roles that I think that I really want to get into some acting stuff and see where that goes.

What was your favorite performance that you did?

Jasmine: Definitely the blindfold with Alan, because I was so proud of us, because it was our first week together, and anybody’s first week together is the hardest, because you have to find that trust in that person right away, instantly, and a connection, and not only did we have to do that, but we had to do it with blindfolds on.  I felt so accomplished when we pulled that routine off, so that was probably one of my favorite routines to do on the show.

I wanted to know what brought you back to try out again for the show and if that was a tough decision to come back.

Jasmine: Once I heard a “no” last year I was like, I’m probably not going to come back, because it was really hard to bounce back on your feet because you prepare yourself to be on the show, of course.  But once the time came to decide if I was going to … or not, I was like, I have to do this because I made it so far last year that I know I can do it again and I know I can get on the show.  So I really trained hard and I wanted it so much more than I did last year, because last year I was very like, you know, whatever happens, happens, it was my first year, and I didn’t expect to get that far, and then I had gotten that far and I was like, I have to do it again.  It would be not very smart if I didn’t try out again, so yes.

It seems like being on the show can be tough.  There’s a lot of information being thrown at you, there are a lot of emotions flying around, so how did you stay focused throughout your time in the competition?

Jasmine: Well, everybody there is with you and we’re all going through the same thing, so I was like everyone really helped each other, all the other contestants, and we always were rehearsing, we were always practicing, you’re also taking in what the judges are saying.  So you and your partner are going over all the corrections you might get, and I just really tried to focus on me and my partner’s connection and just rehearsing all the time.  If we weren’t rehearsing in the studio with our choreographer, we were finding a spot where we could rehearse, whether it was on the street corner, but no matter what we were always trying to focus on our routine, no matter what.  We weren’t getting sidetracked or social networking all the time.  We were really just focusing on us and making our routine better.  And you have no time really to do anything else, because you’re always rehearsing.  Everyone thinks we have that one day in rehearsal which is on camera, but no, you have another six hour rehearsal the next day.  And it’s really tough, but I loved it.

Is  there any choreographer in specific that you wish you got to work with that you didn’t?

Jasmine: I would say that I wish I got to work with Stacey Tookey, because every single piece she puts out on the stage is beautiful, and her concepts are beautiful.  She’s beautiful.  So I really wanted to work with her, because looking at past seasons everyone seems to have really gotten a good routine with her, and I wish that I could have worked with her.

What do you think Alan brought out in you as a partner… How did he help you or enhance your performance?

Jasmine: Alan is seriously the hardest worker ever.  It’s 10:00 at night and he’s like, “Let’s rehearse.”  And I’m just lying in bed like, “Okay, let’s go.”  I feel like he really made me, I had to step up my game just to be with him, because he was always trying to practice and working hard, and if he didn’t get one thing he was doing it over and over and over again, so he kind of taught me to be more persistent.  And he was such a good partner.  I had so much trust in him.  And if we messed up a lift, he always had me and he just made me feel a little bit more confident in us, because it’s your first time partnering with somebody and it’s going to be hard, but he was like, “No, we’ve got this.”  And he believed in us and he believed in me and he helped me a lot through this competition.

Was there any particular dance genre that you wish you would have been able to accomplish or take on that you didn’t get to?

Jasmine: Oh my gosh, hip hop.  I wanted to do hip hop so bad, because it just seemed so fun on the show and not as stressful as the tango or a blindfolded dance.  I really wanted to do hip hop so bad, and probably work with Nappy Tab or Luther Brown, I don’t know, but I just wanted to get the opportunity to do that.  And I feel like if I was on the show that would have been my next genre, but I’ll just take a lot of classes here at home.

Knowing that you guys build good relationships with your partners, what kind of words of encouragement or advice did you leave him with when you left?

Jasmine: I was just like, “You need to find the trust that you found in me with your new partner, and go for it.  Don’t be afraid.  Don’t hold back.  You have this.”  He is such a hard worker and I know that he’s going to be amazing at every single genre that he gets.  He did jazz, and he’s never done jazz before, and he really trusted in me, and we helped each other out.  And I feel like Malece, that’s his next partner, and they’re just going to go out there and they’re going to kill it.  And I told him just to “Go for it.  Be happy.  You’ve got this.”  That’s what I told him.